By John Szwed
The definitive biography of Alan Lomax-from John Szwed,"the most sensible tune biographer within the business" (L.A. Weekly).
One of the main awesome figures of the 20 th century, Alan Lomax was once most sensible identified for bringing mythical musicians like Woody Guthrie, Pete Seeger, Muddy Waters, Lead stomach, and Burl Ives to the radio and introducing people song to a mass viewers. Now John Szwed, the acclaimed biographer of Miles Davis and solar Ra, offers the 1st biography of Lomax, a guy who used to be as influential as he used to be controversial-trailed for years by way of the FBI, criticized for his people- song-collecting practices, denounced through a few as a purist and by way of others as a popularizer. This authoritative paintings unearths how Lomax replaced now not basically the way in which every body within the kingdom heard track but in addition the best way they seen the USA itself.
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Additional resources for Alan Lomax: The Man Who Recorded the World
27 Living together as a group of expatriates, they had been deemed by the French government to be the best in their field. 28 Liszt and d’Agoult departed for Italy the first week of May 1837. As they journeyed south, they visited friends—George Sand in Nohant, and Lamartine at his country home, Saint-Pont—and traveled through Switzerland again as a prelude to Italy. On 17 August they reached their first stop in Italy— Baveno on the shore of Lake Maggiore—but quickly moved on. Liszt was eager to experience life in the major cities.
1, p. 162; Suttoni, An Artist’s Journey, p. 67. Sharon Winklhofer, “Liszt, Marie d’Agoult, and the ‘Dante’ Sonata,” attributes this passage to d’Agoult alone, claiming that Liszt showed little interest in Dante at this time (p. 24), but she gives no evidence to support this assumption. 36. This description of women also explains why Liszt often referred to Sand as “he” instead of “she” in his personal correspondence and articles. 37. In her article “Liszt, Marie d’Agoult, and the ‘Dante’ Sonata,” Winklhofer successfully destroyed the myth Lina Ramann perpetuated concerning the origins of Liszt’s “Dante” Sonata.
For a detailed description of this trip see the chapter by Christopher Gibbs, “Just Two Words. Enormous Success,” included in this volume. Press reports of Liszt’s Vienna concerts are given in Dezsö Legány, Franz Liszt: Unbekannte Presse und Briefe aus Wien 1822–1886 (Budapest: 1984), pp. 22–58. 46. Liszt mentioned this article in a letter to his mother in late July 1838: “Tell Massart that I have written a letter addressed to him for the Revue et Gazette musicale. ” Liszt, Briefe an seine Mutter, ed.
Alan Lomax: The Man Who Recorded the World by John Szwed