By Anne Fuchs (auth.)
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Edited via Reinhold Grimm and Bruce Armstrong
Foreword: John Simon vii
Introduction: Reinhold Grimm xi
Part One : Literature and the Media 1
1. The Industrialization of the brain 3
Translated by means of the author
2. Poetry and Politics 15
Translated through Michael Roloff
3. Commonplaces at the most up-to-date Literature 35
Translated by means of Michael Roloff
4. ingredients of a conception of the Media forty six
Translated through Stuart Hood
Part : Politics and background 77
Translated through Michael Roloff
1. towards a thought of Treason 79
2. Reflections sooner than a Glass Cage 94
3. Las Casas, or A glance again into the destiny 116
4. Berlin Commonplaces 138
Part 3 : Sociology and Ecology 157
1. travelers of the Revolution 159
Translated by way of Michael Roloff
2. A Critique of Political Ecology 186
Translated by way of Stuart Hood
3. On the Inevitability of thie center Classes:
A Sociological Caprice 224
Translated by way of Judith Ryan
4. Notes on the tip of the realm 233
Translated through David Fernbach
Friedrich Kittler (1943–2011) mixed the examine of literature, cinema, know-how, and philosophy in a way sufficiently novel to be famous as a brand new box of educational activity in his local Germany. "Media studies," as Kittler conceived it, intended reflecting on how books function as movies, poetry as desktop technology, and track as army gear.
The word "spatial turns" indications the transforming into value of area as an analytical in addition to representational classification for tradition. the amount addresses such rising modes of inquiry via bringing jointly, for the 1st time, essays that interact with spatial turns, spatiality, and the theoretical implications of either within the context of German tradition, historical past, and conception.
Within the Hyper(in)visible fats girl, Jeannine A. Gailey argues that ladies of dimension in North the US occupy a paradoxical social place: as 'fat' girls they obtain unparalleled (critical) recognition, whereas at the same time their subjectivity—in phrases in their personal wishes, wishes, and lives—is erased. during this method their event veers painfully among the hypervisible and the hyperinvisible.
Additional resources for After the Dresden Bombing: Pathways of Memory, 1945 to the Present
12 Although Brink’s findings are widely cited in the literature on this subject, the implications of her argument for a better understanding of the German state of mind in 1945 and of the functions of German rubble photography are often misunderstood. Writing on postwar photography, Jörn Glasenapp, for example, discusses German representations of their flattened cities in so-called Trümmerfotografie, rubble photography, merely in terms of a revisionist response to the concentration camp photos.
Chapters 3, 4 and 5 analyse the architectural debates of the postwar period and their central role in the Dresden impact narrative. Chapter 3 widens the lens by sketching the moral and political implications of postwar architectural debates in West Germany. Here the destruction of the built environment triggered an intense moral search concerning the origins of Germany’s ruination and rival ideas for the reconstruction of the country. The inflection of architectural deliberations with moral considerations is particularly pronounced in the debate about Germany as a Kulturnation, as exemplified in contributions by Thomas Mann and the historian Friedrich Meinecke.
Most international viewers, who recognise the two pictures as outstanding icons in the visual narrative of the Second World War, may just be able to identify Berlin as the locus of the Khaldei’s picture. But it is less likely that, without the help of a caption, they would be able to name Dresden as the city in Peter’s picture. From the perspective of the non-German recipient, the indexical value of the photograph has been erased in favour of a recognition effect that heightens the iconic value of the shot, while simultaneously hollowing out its referential quality.
After the Dresden Bombing: Pathways of Memory, 1945 to the Present by Anne Fuchs (auth.)