By G. Grove
This can be a reissue of the 1st variation of George Grove's Dictionary of track and Musicians, which has because developed to develop into the biggest and so much authoritative paintings of its sort in English. The venture grew within the making: the identify web page of quantity 1 (1879) refers to 'two volumes', yet by the point quantity four seemed in 1889 there has been additionally a 300-page appendix and a separate index quantity. The dictionary was once a world project, with participants from Paris, Leipzig, Berlin, Vienna and Boston along these dependent in Britain. It was once 'intended to provide a very good and lengthy said wish' coming up from the elevated curiosity in all facets of track, which used to be 'rapidly turning into a necessary department of education', and to cater for the pro whereas being available to the novice. it's a interesting record of musical tastes and values within the past due Victorian interval.
Read Online or Download A Dictionary of Music and Musicians (A.D. 1450-1880) (Volume 1) PDF
Similar music books
Detailing the intertwined lives of individuals of middle grunge bands, this completely researched account unearths the origins and inspirations of the grunge song flow. Illustrating the dramatic and emotional tensions that arose among some of the gamers, it describes the collisions among personalities and egos, artists and firms, suburbs and towns, obscurity and status.
Recorded by way of his quartet in one consultation in 1964, A Love superb is commonly thought of John Coltrane's magnum opus and one of many maximum jazz albums of all time.
In past A Love ideal, Tony Whyton explores either the musical complexities of A Love best and the album's seminal significance in jazz background. Marking Coltrane's transition from the bebop and difficult bop of his prior recordings to the unfastened jazz type perfected in the course of the remainder of his occupation, the album additionally embodies the deep spirituality that characterised the ultimate years of his existence. The titles of the 4 half suite--"Acknowledgment," "Resolution," "Pursuance," and "Psalm"--along with the poem Coltrane composed for inclusion within the liner notes, which he "recites" instrumentally in "Psalm," replicate the spiritual element of the album, a high quality that contributes to its mystique and symbolic significance in the canon of significant jazz recordings. yet Whyton additionally exhibits how A Love ideal demanding situations the various conventional, unreflective assumptions that permeate jazz culture--the binary oppositions among improvisation and composition, black song and white song, concert and studio recording. He significantly examines a few of the mythologizing narratives approximately how the album was once conceived and recorded and approximately what it indicates by way of the trajectory of Coltrane's own lifestyles. Sifting during the feedback of past due Coltrane, Whyton indicates methods of hearing those recordings that transcend the normal ideologies of mainstream jazz perform and open the song to a much broader variety of responses.
full of clean insights into the most influential recordings in jazz background, past A Love ideally suited is an integral source for jazz students, jazz musicians, and lovers and aficionados in any respect degrees.
Writer observe: ahead through Lio
This delightfully illustrated exploration into '60s French pop, and the ladies who outfitted it, finds yé-yé music's hip sensuality, humor, sort and wit.
We pay attention from and approximately Françoise Hardy, France Gall, Brigitte Bardot, Sylvie Vartan and dozens of alternative sleek Lolitas, and the recklessly naughty Serge Gainsbourg.
Modern-day yé-yé avatar, Lio has written the book's Foreword.
What's classical song?
This e-book solutions the query in a way by no means sooner than tried, by means of providing the heritage of fifteen parallel traditions, of which Western classical track is only one. Eachmusic is analysed when it comes to its modes, scales, and thought; its tools, kinds, and aesthetic targets; its old improvement, golden age, and this day; and the conventions governing its functionality. The writers are top ethnomusicologists, and their technique relies at the trust that song is better understood within the context of the tradition which gave upward push to it. through together with Mande and Uzbek-Tajik tune - plus North American jazz - as well as the better-known types of the center East, the Indian sub-continent, the some distance East, and South-East Asia, this booklet deals difficult new views at the be aware 'classical'.
It indicates the level to which so much classical traditions are underpinned via improvisation, and divulges the cognate origins of doubtless unrelated musics; it displays the multifarious ways that colonialism, migration, and new know-how have affected musical improvement, and proceed to do this day. With expert language stored to a minimal, it's designed to assist either scholars and normal readers to understand musical traditions that may be strange to them, and to come across the truth which lies at the back of that lazy adjective 'exotic'.
Michael Church has spent a lot of his occupation in newspapers as a literary and humanities editor; on account that 20
10 he has been the tune and opera critic of The autonomous . From 1992 to 2005 he suggested on conventional musics world wide for the BBC international carrier; in 2004, subject documents published a CD of his Kazakh box recordings and, in 2007, additional CDs of his recordings in Georgia and Chechnya. members: Michael Church, Scott DeVeaux, Ivan Hewett, David W. Hughes, Jonathan Katz, Roderic Knight, Frank Kouwenhoven, Robert Labaree, Scott Marcus, Terry E. Miller, Dwight F. Reynolds, Neil Sorrell, Will Sumits, Richard Widdess, Ameneh Youssefzadeh
Additional info for A Dictionary of Music and Musicians (A.D. 1450-1880) (Volume 1)
The important subject of additional accompaniments to works already possessing orchestral parts, with the view of supplying the want of an organ, or obtaining the increased effects of the modern orchestra, is treated under the head of ADDITIONAL ACCOMPANIMENTS. [E. J. ] ACCORDION (Ger. BandharmoniJca, also Ziehharmonilca). A portable instrument of the free-reed species, invented at Vienna by Damian, in the year 1829. It consists of a small pair of hand-bellows, to one side of which is affixed a key-board, containing, according to the size of the instrument, from five to fifty keys.
Lowering of a note, even when it had previously This new note, the invention of which laid the been sharpened: thus foundation of all modern chromatic alterations, was called B molle (Fr. Bemol, Ital. Bemolle, =fcff still in use), and the hexachord to which it belonged and the plainsong in which it occurred •were termed respectively hexachordum molle and would be written cantus mollis, while the hexachord of G, which retained the original B, was known as hexachordum durum, and the melody employing it as cantus darus.
A prevalent custom with the 18th-century composers was to write, by way of introductory symphony, a bass part of marked character, with a direction to the effect that it was to be played on the ' loud organ, two diapasons, left hand'; and to indicate by figures a right-hand part, to be played on the 'soft organ,' of course in close harmony. , with manual &ft. coupled. Sometimes the symphony to a solo, if of an arioso character, can be very agreeably given out on a combination of stops, sounding the unison, octave, and sub-octave, of the notes played, as the stopped diapason,flute,and bourdon on the great organ ; the pedal bass, as before consisting of a light-toned sixteen-feet stop with the manual coupled.
A Dictionary of Music and Musicians (A.D. 1450-1880) (Volume 1) by G. Grove